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 $2 DOMESTICS
Just Announced Tuesday July 14
Saturday July 4
Tuesday July 21
Wednesday August 12 Lipbone Redding and the LipBone Orchestra
Lipbone Redding, creates original songs that effervesce with New Orleans swing, Memphis grooves and New York City style with Philly soul-Cool Stuff MM
Thursday July 30
Thursday June 25 From LA
Saturday July 25 The youngest of the four Neville Brothers
Monday July 20 Grammy award winning artist and actor
Yes from- O Brother, Where Art Thou? & Ray (Soundtrack)
Wednesday June 24
Thursday July 23
Tuesday July 21 co-headlining tour with
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Wednesday July 15
10-piece psychedelic poly-rock/afrobeat outfit!
Friday June 26
Friday July 3
Saturday June 27
FYI-All show's are all ages and the kitchen is open until I go home!
All shows are all ages. Weekend shows (Fri.&Sat.) start at 9:00 p.m. and weekday shows start at 8:00 p.m. unless otherwise noted, with doors 2 hours before show time. Dinner reservations are suggested. You can make them by calling 216 902 4663. Dinner reservations must be made for at least an hour or more before show time. EVAN AND GATEMOUTH! |
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ToNight! Friday July 3rd After the FireWorks
Uptight Sugar started with a conversation between singer/songwriter David Hamilton, and Manager John Malm Jr. It wasn't long after that David began doing live performances as a solo artist under the new name. After a successful string of shows, they decided to unleash Uptight Sugar as a full band, adding drummer (Tito Pablo), and the dynamic duo of lead guitarist (Bob Awesome), and bassist (Willie Fignog)!
Saturday July 4 After the FireWorks
Reese Dailey is the total package. He is a dynamic guitarist with a seemingly endless flow of lyrical sounding lead lines. Reese is able to produce a sound that keeps listeners attention because he is always offering something new and exciting. In addition to his powerful lead guitar style, he showcases his talent on the slide guitar, a talent unique to this area. Reese’s early influences include a vast array of southern rock and southern blues bands. Their influence on his playing certainly shows up on stage. His other major musical influence was his father, the legendary Pat Dailey. Reese inherited his father’s stage persona as well as his strong vocal fortitude. Like his father, Reese has a rich, full voice that is both beautiful and commanding. He is an excellent songwriter as well and the band is already doing several of his original songs with more to be added in coming months. Bassist, Mark Bibler, has a style that is unique unto himself. His own strain of rolling low tones then bright, slapping high tones sets him apart from other players, providing a unique blend of sounds that drives the foundation of the band. Like many others in his era, Mark first became interested in music after seeing the Beatles on the Ed Sullivan Show. His early influences included the likes of Jeff Beck, The Allman Brothers, Jimi Hendrix and Eric Clapton. Drummer, Rob Morrin, brings with him over 20 years of playing experience in the Toledo area. As a founding member of local college favorite, The Flecks, he had the opportunity to not only play in just about every club and venue in the Toledo area, but also to open for many national acts such as Peter Frampton, Mitch Ryder and the Detroit Wheels, The Little River Band, the Lemonheads, 13 engines, and others. Rob's playing is influenced primarily by the music of the 80's and 90's and specifically drumming legends Stewart Copeland, Bill Berry, Victor DeLorenzo, Nicko McBrain, and Neil Peart.
Tuesday July 14 Folk / Soul
Slip on Rise & Shine and you'll swear you're hearing a bonafide late '60s classic, some pure, deliriously pleasurable nugget unearthed by the same vinyl stroking dork that turned you onto the Beau Brummels or Moby Grape. One has zero doubt Apple Records would have snapped up The Rosewood Thieves right after hearing the forward rushing, piano driven joy of "Silver Gun" and the irresistible shuffling pop drift of "She Don't Mind The Rain." Those opening salvos, and everything that follows, have the compact perfection of the very best popular music – utterly enjoyable from the start but given enough tweaks and modulations to keep our ears constantly pricked, a few rough edges in line readings and flashing guitar outbursts, but always in service of something fully fleshed and resonantly true.
Toss this on shuffle with Badfinger's Straight Up and The Beatles' White Album and you'll hear a grand continuity in the Thieves' work. But don't chalk this up as some sort of retro thang – this band draws from the same creative stream as the greats cited, and pours those living waters all over songs that are outfitted and performed with utmost care. Rise & Shine is the kind of album you listen to over and over, straining along with their passionate cries and sighing "Oh, girl" with as much un-sanded emotion as Erick Jordan. From the oddly spinning carnival of "Fair Lights Flashing" to the dancing-in-your-seat delight of "Junkyard Julie," there's just so much to just plain enjoy here. Each cut hides tiny surprises – a wicked bridge, a crazy organ swell, a gorgeous, succinct guitar solo or a succulent harmony that makes your skin tingle – and each time you go back you'll find more. Their imagination is saturated into the soil of each tune; it doesn't stand out and demand attention, consistently serving the song's needs, accentuating the positive everywhere. If this sounds like gushing it is. The Rosewood Thieves are what popular rock might have turned out like if the Lennon-McCartney dyad had truly conquered the airwaves. This is music you fall in love with, dancing alone in your bedroom as the speakers blast sunshine all over you, singing along to every word and making them your own, your daily dramas given insight as you're lifted away from them through the power of great music. Opening Ashes Wednesday, July 15 2009 I'm looking for a local opener! 10 piece female vocal fronted psychedelic trip-rock band feat. members of nationally renowned band, John Brown's Body. Four piece horn section, alluring lead vocals & a harp-like West African stringed instrument called an N'goni. Rubblebucket's vibe Bjork meets Fela Kuti meets James Brown.
... a cutting edge ten-piece afrobeat/rock band led by trumpeter Alex Toth and fronted by alluring vocalist Kalmia Traver. Comparisons have been drawn to Portishead, Fela Kuti, Bjork and James Brown, but Rubblebucket's afro-beat trip-rock experience is beyond classification. In addition to winning Relix Magazine's Jam-Off competition in July 2008, Rubblebucket was recently named "Best New Band of 2008," by Seven Days Vermont. The title had previously been held by GRACE POTTER & THE NOCTURNALS (2005, 2006) and PHISH (2003, 2004).
Thursday July 16 From Baton Rouge, Louisiana
Draws heavily from modern rock and the musical diversity of the band's New Orleans origins- Heartfelt acoustic/electric rock with strong emphasis on melody, harmonies and articulate songwriting. Opening
A well-crafted collection from an artist steeped in classic rock and soul; this is a start-to-finish listen, if ever there were one.
Friday July 17 Pop / Psychedelic / Rock opening Funk / Reggae / Soul
BACK FROM SOUTHERN CALIFORNIA, Matt Gerovac brings his new band the BABYLON SAINTS to WILBERT'S!!! Guitarist/songwriter Matt Gerovac left his home of Cleveland, OH late in 2005 in his 1994 F-150 with the typical dreams of finding opportunity in a city considered by many to be a modern-day Babylon. Los Angeles was the destination and Matt was so excited to get there he only made one stop on the way out at a seedy roach motel in Amarillo, TX . Upon arriving, Matt started working in catering with a bunch of jaded, out-of-work actors quickly giving Matt an idea of what LA could be all about. "LA has a sort of disorganized energy created by millions of creative minds without a creative outlet. There is a crazy energy in LA and it's easy to get lost in the mix." It's the classic 'small town boy in the big city' kind of story, but Matt had some goals in mind.
Saturday July 18 Folk / Rock / Country from Kentucky featuring folk, bluegrass, country, punk and rock influences!
..."he's the valley and shade voice of the Dust Bowl Blues and he's just what every audience around has been looking for...he's hillbilly with a pinch of Neil Young, he's folk with his roots in Bill Monroe".... ~sasha collette, Americana Crossroads, WMKY 90.3 FM, Morehead,Kentucky ................................................................................................................ ................................................................................................................
"It's all cool....good and soulful"---R.S. Field...Producer (Hayes Carll, Scott Miller, Todd Snyder, Billy JoeShaver Web Wilder)...etc...etc............................................................
Monday July 20 Multi-talented Grammy Award-winning blues artist, producer, composer and actor! From O Brother, Where Art Thou? & More Music From Ray. He has sold more than 10 million records in the United States! Chris has won awards including "Album of the Year" for both Grammy Award and Country Music Awards.
“New Orleans is a city of sophistication, elegance and romance but at the same time it’s very down to earth...”
With Nawlins Callin' King has created a suite of songs inspired by the rich musical culture of the old French Quarter, conveying aspects of romance, Melancholy and Wonderment with fresh arrangements and melodies that trumpets a rebirth. King and his musicians have succeeded in conjuring a fresh adult pop album laced with authentic Jazz classical and blues sensibilities.
Tuesday July 21 From HOLLYWOOD California & Just added Arden Kaywin ---------------------------------------
A songwriter with an understanding for what it takes to make a great pop record, Curtis Peoples crafts songs that fans of rock to acoustic folk and pop can enjoy. With a mix of big choruses and jumping rhythms, Curtis’ style of “coffee shop arena rock” incorporates the radio-friendly and inspiring sounds of U2 and Bon Jovi as well as the rhythmic folk of John Mayer and Jason Mraz into his songs resulting in his own unique musical fingerprint. &
The bluesy singer/songwriter confessionals heard on Keaton Simons' first collection, Currently, barely hint at the varied depth of musicianship and experience that hide behind the music's relaxed demeanor. As a youngster growing up in the Los Angeles area, Simons had a natural flair for playing instruments, and by his early teens had already decided to pursue a career in music. In addition to co-founding the jazz-influenced group Nobody Knows, he took on gigs all over the city and eventually found himself involved in L.A.'s hip-hop scene playing for artists like Tré Hardson (Pharcyde) and Kim Hill (Black Eyed Peas). The unexpected dissolution of Nobody Knows (due to the death of a bandmember) had Simons questioning his choices, and soon he found himself studying music and composition at Evergreen State College in Olympia, WA. Armed with a new outlook, a broadened musical base, and some newly self-penned songs, Simons moved back to L.A. after graduation and picked up where he left off with Tré, while adding stints with N'Dea Davenport and Snoop Dogg to his résumé. Between the numerous gigs he was able to form a band and began to perform his own songs around town. His first major break came when he was asked to compose songs for the film Mercy Streets, which featured his stepfather, actor Eric Roberts. Simons ultimately used these songs to comprise his demo, which caught the attention of Maverick Records. With a record deal in place, he was able to record a few more tunes and issue the EP Currently in April 2004. Later that summer, he was to released his full-length debut disc, Exes and Whys, featuring tracks produced by the Matrix (Avril Lavigne), but it was unfortunately shelved when Warner Bros. took full control over Maverick after a bitter battle that same year. As a result of the reorganization, Simons and his contract were lost in the scuffle. Soldiering on, Simons eventually found a home at CBS where he worked with producer Dave Bianco on 2008's Can You Hear Me. Simons soon found out that being at CBS had its advantages as several songs from Can You Hear Me were featured on the company's hit television shows including Numb3rs and NCIS. ~ Aaron Latham, All Music Guide
Arden's passionate vocals, unique blend of musical styles, lyricism, and impressive range make her an artist that is very hard to forget. --Dave Chung for Billboard.com &
Dave Ritz’ musical interests started at an early age. Influenced by his parent's choice of music, particularly his father's, Dave began playing piano in the second grade. “I started to play Billy Joel, Elton John, Sting, and well, anything that was on the radio at the time.” Now, years later, Dave’s current influences consist of Tom Petty, Rob Thomas, the Dave Matthews Band, and many more. By College he stopped taking piano lessons and bought himself a guitar. Dave Matthews was his biggest inspiration at the time, “I taught myself every Dave Matthews Band song I could.” During his time in College, he was at a local club and this was the first night he looked upon the other side of a stage. It was as simple as asking the performing act if he could play on their break. After given the opportunity, Dave played three songs and received an eye opening response from the crowd. He was approached by the owner of the club and asked to play his own show that following week. Not anticipating the offer, Dave was to play for three hours and at that time only known ten songs, “I learned fast,” Dave says. It was this experience that launched his musical endeavor. With his quickly growing audience and strong crowd response, Dave was approached by his parents his junior year with a proposition to drop out of school and pursue his music, “yea, it was their idea,” he says. This led to his band's first tour across the Midwest and East coast. It was then that Dave learned how life on the road works. "I learned how to pack, how to travel, and how to interact with the crowds. It was a great experience,” Dave explains. After his first tour Dave made the decision to go back to school, “best decision I ever made.” This quality of perserverance has led Dave to his ongoing success. "After College, I got a job, the only good thing about it was working on occasion with my Dad. I enjoyed spending that time with him." Not feeling the gratification he received from playing his music to his fans he decided to leave. He pursued his music, and performed everywhere until he managed to book the show that would change his life. On the twenty third of December at the House of Blues he was approached by the producer, Tom Porter. “He asked me what I was drinking,” he recalls, "I told him Scotch. Tom’s a big scotch guy, and we hit it off right away.” Since then Dave's musical career has skyrocketed. After a successful tour, a team of the most talented people in the industry have been put together and are making Dave’s music an ongoing success. “I am looking forward in continuing that road warrior mentality, and will continue to write songs and bring good times and good people into mine and others lives.” on
Blaster Records / Executive Producer: Tom Porter
Thursday July 23 Alligator Records-singer and songwriter that plays a blend of Memphis rhythm and blues, Southwest blues, and urban funk!
A hard rocking, high-voltage blues guitarist most often compared to Stevie Ray Vaughan, Tinsley Ellis is hardly one of the legions of imitators that comparison might imply. Schooled in a variety of Southern musical styles, Ellis draws not only from fiery Vaughan-style blues-rock, but also Texas bluesmen like Freddie King and Clarence "Gatemouth" Brown, the soulful blues of B.B. King, the funky grit of Memphis soul, and numerous other electric bluesmen. Ellis has been praised in many quarters for the relentless, storming intensity of his sound, and criticized in others for his relative lack of pacing and dynamic contrast (he's also been dubbed a much stronger guitarist than vocalist). Yet no matter which side of the fence one falls on, it's generally acknowledged that Ellis remains a formidable instrumentalist and a genuine student of the blues.
Tinsley Ellis was born in Atlanta in 1957, and spent most of his childhood in southern Florida. He began playing guitar in elementary school, first discovering the blues through the flagship bands of the British blues boom: John Mayall & the Bluesbreakers, the Peter Green-led Fleetwood Mac, the Yardbirds, the Rolling Stones, and so on. He soon moved on to a wide variety of original sources, becoming especially fond of B.B. King and Freddie King. After high school, Ellis moved back to Atlanta in 1975 to attend Emory University, and soon found work on the local music scene, joining a bar band called the Alley Cats (which also featured future Fabulous Thunderbird Preston Hubbard). In 1981, Ellis co-founded the Heartfixers with singer/harmonica player Chicago Bob Nelson, and they recorded an eponymous debut album for the tiny Southland imprint. They soon signed with the slightly larger Landslide and issued Live at the Moon Shadow in 1983, by which point they were one of the most popular live blues acts in the South. However, Nelson left the group shortly after the album's release, and Ellis took over lead vocal chores.
The Heartfixers' first project in their new incarnation was backing up blues shouter Nappy Brown on his well-received 1984 comeback album Tore Up. Ellis debuted his vocals on record on the Heartfixers' 1986 LP Cool on It, which brought him to the attention of Alligator Records. Ellis left the Heartfixers to sign with Alligator as a solo artist in 1988, and they picked up his solo debut Georgia Blue for distribution. The album helped make Ellis a fixture on the blues circuit, and he toured heavily behind it, establishing a hard-working pattern he would follow for most of his career. The follow-up Fanning the Flames appeared in 1989 and explored similar territory. 1992's Trouble Time helped land Ellis on album rock radio thanks to the track "Highwayman," but it was 1994's Storm Warning that really broke Ellis to a wider blues-rock audience, earning more media attention than any of his previous recordings; additionally, guitar prodigy Jonny Lang later covered Ellis' "A Quitter Never Wins" on Lie to Me. For 1997's Fire It Up, Ellis worked with legendary blues-rock producer Tom Dowd (the Allman Brothers, Derek & the Dominoes), as well as Booker T. & the MG's bassist Donald "Duck" Dunn. Ellis subsequently left Alligator and signed with Capricorn; unfortunately, shortly after the release of 2000's Kingpin, Capricorn went bankrupt, leaving the album high and dry. Still, Ellis soon caught on with Telarc, releasing his initial disc Hell or High Water on the label in 2002, followed by The Hard Way in 2004. One year later, Ellis was back with Alligator putting out the live set Live Highwayman, and Moment of Truth, the first studio album to contain original material since Hell or High Water. ~ Steve Huey, All Music Guide
opening The Nobodys 8pm
Friday July 24 Blues Guitar wizard Returns ! One of Canada's best hot blues guitar slingers EDGY-ENERGETIC-EXPLOSIVE
Either Way he's AWESOME!
"He's spectacular…Shawn plays with the authority of someone who's been playing for a really, really long time." - Colin Linden
Saturday July 25 Funk / Soul / Funk / Reggae / Funk / Roots Music / Funk One of the four Neville Brothers
CYRIL NEVILLE “The gumbo has spilled into the chili” by Cyril Neville
Sunday July 26
"In a world—or at least a region—inundated with guitar-based contempo-indie rock bands, Aeroplane, 1929 refreshingly nails it. [The Holy GhostI] is...dynamically varied but aesthetically unified and smartly arranged. The lyrics examine the weird social upheaval of our era, and the uncertainty of early adulthood, with a poet’s ear. These are intelligent, tuneful, entirely accessible songs. Exactly what a band like this should be doing, and they’re doing it better than many of their peers, regional or not." -New Haven Advocate
Thursday July 30
Michael Burks will singe the whiskers right off your face, kicking every tune in the butt with the chunkiest sustaining siren-wail of a tone this side of Albert King, by mixing back-snapping funk and traditional postwar blues grooves. He's a big, bad blues guitar slinger with a brawny tone. Fans of rompin', stompin' blues power are the beneficiaries of Burks' trials and tribulations, as his deeply emotional playing and singing derives from his personal experiences. In a blues world desperate for a post-Stevie Ray guitar hero, Michael Burks is an immensely talented guitarist and singer poised to fill the void... Big, fat guitar tone over modern funky blues...excellent--GuitarOne Michael Burks is a bluesman who stands poised on the brink of major stardom. A fierce flamethrower guitar slinger and an exciting soulful singer, his music has phenomenal firepower. He plays with a decidedly urban, contemporary blues style, fused to a soul-infused vocal style that suggests some down-home cooking. ...tough and tender blues. Burks is a complete entertainer: songwriter, singer, riff-master, bandleader and showman. There's no more exciting young guitarist in the blues. The CD features a live-in-the-studio sound that closely captures the excitement of a live Burks gig. Burks supplies plenty of his trademark man-on-the-ledge solos...incendiary playing...chilling and heartfelt. --Chicago Sun-Times
Burks plays and sings with conviction, as he proves with each impassioned song. --Guitar Player
Friday July 31
Recommended if you like Wilco, Death Cab for Cutie, My Morning Jacket, Bob Dylan, Tom Petty, Townes Van Zandt. “...Brown Shoe will surely awe the listener with its heart piercing work and the compassion that shines through in its wistful melodies and affectionate lyrics...” Metro Pop “Gentle, alt-rock melodies and dreamlike vocals form the basis for Brown Shoe’s new release. This is a record big on atmospherics— strong doses of melancholy and quiet meditation...” - The Phantom Tollbooth
“I got through this album pretty quick and thats rare considering the amount of new music I listen to on a daily basis. I’ve also heard these guys are a must see live. Have a listen to a young group of guys called Brown Shoe.” - Each Note Secure
will open for
Uptight Sugar started with a conversation between singer/songwriter David Hamilton, and Manager John Malm Jr. It wasn't long after that David began doing live performances as a solo artist under the new name. After a successful string of shows, they decided to unleash Uptight Sugar as a full band, adding drummer (Tito Pablo), and the dynamic duo of lead guitarist (Bob Awesome), and bassist (Willie Fignog)!
Saturday August 1st
SUPER-MASSIVE is an All Star Sextet featuring members of Rays Music Exchange, the Zionites, DLO(Da LEMMINGS OnSombol), and Grand Oversoul. Formed in the Spring of 2005, the group,consisting of Tim Hensley(drums), Alonzo Leggette(percussion), Nick Blasky(bass and vocals), Andy Lenihan(keys), John Gentry Jr.(guitar), and Jeremy Lacinak(vocals and guitar), have fused a unique sounding perspective on an original roots music form. Like their predecessors who fused their own Island rhythms with R & B, Ska, and Dub. SUPER-MASSIVE have added their own twist by bringing in newer elements such as Jazz and Rock, with extended improvisational sections, making for a truly new and fresh variation.
Sunday August 2 THE QUEST FOR GLORY TOUR FOUR INDIE SINGER/SONGWRITERS BAN TOGETHER TO CONQUER THE EAST COAST THIS AUGUST 2009 four brave singer/songwriters from New York, Atlanta and Los Angeles will embark on a 3 week journey to play songs, conquer cities, rescue damsels, and most importantly, find "glory". With their respective independent releases, live performances and dragon slayings,
"Lelia's guitar skills are way superior to mine. Plus she's got a smokin bod.” — John Mayer in one of the many dreams Lelia has had about John Mayer. Despite signing to Universal Music/Rondor in 2008, Lelia’s career has been one of a constantly evolving cottage industry for herself, built upon a determined work ethic and belief that the fans and her connection to them are what matters most. With over 100,000 fans across her MySpace pages (she has a few of them) and a growing YouTube popularity (millions of views on her videos) Lelia has been very consistent about where she believes the heart of her music career is, her relationship with her fans.
“ Full of wit, charm, insight and remarkable delivery, Bess is a rare gift to us all." — Ken Block (Sister Hazel) Stunning in its simplicity, Travel Back possesses immeasurable potential. From the dark, compelling ‘Bulldozer’ to the rousing exuberance of ‘I Don’t Worry’, this latest record encapsulates everything that's great about Bess’ approach to song writing. Not content with simply producing good, yet somewhat unforgettable tunes, she continuously challenges herself to produce something distinctive and recognizable as her own. and
"She’s one of those artists that will have arned her day in the sun the correct way: by working her fingers to the bone and simply being very, very good." — Retro Low Fi You can’t go wrong with an album cover that features a stack of pancakes! Allison Weiss’s songs are like those pancakes, (s)lightly sweet, warm, (lyrically) yummy, and (emotionally) (ful)filling. Her 6-song, indie-pop EP finds Allison in full band mode, singing and playing down-to-earth tunes with no artifice or overt dramatics, just punchy drums, catchy guitars, astute lyrics, and personable vocal delivery.
Remember those hoodlum friends you had when you were a teenager? Remember the way they used to hang out down by the drugstore in their zoot suits, snapping their fingers and acting too cool for school? Well, they grew up to be the Gas House Gorillas.
Wednesday August 12
LIPBONE REDDING: He’s that guy who makes the trombone noises with his mouth! “You mean that’s not a trombone?” Heck no, that’s LIPBONE doing some crazy lip-music that SOUNDS like a trombone! Hard to tell the difference unless you witness this phenomenon live. Bringin’ on the groove and singing the backup is the 2-man LipBone Orchestra. Thursday August 13 Ernie Halter/Gareth Asher/Miggs
Ernie Halter is a soul-infused pop singer/songwriter, a guy who’s been influenced as much by the Lennon/McCartney as he has by Otis Redding…but don’t wrack your brain trying to categorize him. Just listen to his music.
A passionate singer/songwriter with lyrics to which every listener can relate. Gareth Asher has the unique ability to walk on stage with nothing more than a guitar and create an entire event. You can’t help but be blown away by his pure, raw talent.
“A delicious blend of classic pop and contemporary alternative, forming the perfect sonic union: great vocals, innovative songs, lyrics that dig deep, yet resonate on a universal level, and melodies that stick with you for the long haul.” - The San Francisco Herald Miggs is a band that is together like so many other bands out there. We met the same way. A friend, an ad, prison. It worked, we stayed together. Just like you and whats-her/his-name do. We grew up playing music like other musicians. One day we realized we'd like to give it a go as a living and, would you look at that, people paid to see it/hear it/own it so we quit day jobs and one day Rock Ridge Records out of New York came calling. We answered and we had the coveted RECORD DEAL! Now we tour and make music and with stickam, youtube, myspace, miggsband.com, twitter and a zillion other sites you can know way more about us than our families care to.... We plan to be doing this until Michael's cancer comes back to haunt him or Don obsesses himself to death. So stick around, it just may get interesting.
Wednesday August 19 From Limerick, Ireland
THE LIVERPOOL ECHO -
Tuesday August 25 New Orleans, LA -Folk / Hip Hop / Pop
Sean is a singer/songwriter originally from New York. The music is called "folk/hop" a style that combines folk, hip hop, rock and dance. Sean has performed all over the world. England, Ireland, Scotland, Germany, Czeckolslovakia, Austria, Switzerland, Italy and America. A seasoned live performer his band performed over 800 shows in it's five year run alone. Sean has written over 300 songs and his catalog continues to develop fusing an array of genres into a sound that is truly original.
with Ray Manzarek of the Doors
FYI-All show's are all ages and the kitchen is open until I go home! WILBERT'S is Great Music + Delicious food In An Intimate Setting = What a Concept!
Celebrating Over 25 Years Of Presenting Live Music In The Cleveland Area!
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