Wilberts Food and Music

Blues Club Cleveland Ohio

 

Blues Cleveland Ohio

Jazz Club Cleveland Ohio

Jazz Cleveland Ohio

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Explosion 1: Pre-game  Special

$2 DOMESTICS

 

WILBERTS IS OUTSTANDING!
Home of The
$2 DOMESTICS-$3 BOMBS
Labatts and Labatts Lite-the BIG BOYS - 16oz-Yea just 2 bucks too!
FireBalls are just $4  & so are  shots of Jameson.
Where everything is homemade Fresh and down right delicious!
1/2 Slab of Ribs with hand cut Fries and a Salad - JUST $9.99 (HH)
The BEST Homemade barbeque sauce- It's Sweet-Smokey-Spicy!!!
We pride ourselves on having the
Best Service
Best Food
at The Best Price in the neighborhood
+ Awesome Music! = Home of over 80+Grammy Winners!
So see us before during and after the tribe games.
In the Historic Caxton building just north of the stadium off Bolivar and east 9th;
WILBERTS-Bringing you over 120 years of Miller Hospitality to Cleveland!
OUTSTADNING!

 

Wilbert's Food & Music
812 Huron Avenue E.
Cleveland, Ohio 44115
216.902.4663

 

All shows are all ages. 

Weekend shows (Fri.&Sat.)

start at 9:00 p.m. and

weekday shows start at

8:00 p.m. unless otherwise noted, with doors 2 hours

before show time. 

Dinner reservations are suggested. You can make

them by calling or texting me @ Text> 2163755966

If you leave a message make sure you leave your phone #, and we'll call you back with a reservation conformation, or better yet,-you can e-mail

us at

wilberts812@sbcglobal.net

Dinner reservations must be made for at least an hour or more before show time. By 7pm week days and 8pm week ends

Thanks MM!

A website helping fans of concerts and events find hotels close to the
venues →

ConcertHotels.com

 

EVAN (my son)AND GATEMOUTH!

Great Place for

a Party!

We'll cater to all your wants & needs!

Special Menus,

Open Bar/Cash Bar

Holiday & Cocktail Parties,

Receptions & Rehearsal Dinners, wakes weddings

Retirements, Farewells, Etc…… We've done them

All (Jane Scott's 75 B-Party!)

Mike Millers

Cell 216.375.5966

e-mail wilberts812@sbcglobal.net

Delta Zeta Formal →

Thank you so much for all

of your services on

Saturday night. Everyone

had a blast and said the

food was amazing!! This

was the perfect place to

have our fall formal. Everything you have done

is greatly appreciated. Hopefully we can hold another event there soon.

I will definitely keep in

touch with you

 

DRAFT beer

Great Lakes Brewing Co.

Nosferatu

American Ale

ABV:8%

Nosferatu from Great Lakes Brewing Company is an Irish-Style Red Ale. Great Lakes Brewing Company has given Nosferatu the following description: "Highly hopped imperial red ale rich with flavor, yet remarkably balanced.Like vampires (most especially, the notorious German vampire from the 1920s film era), this beer has a bit of a reputation as ?the Beer with the Bite.?"

 

Columbus Brewing Company

IPA


Appearance: Arrives with a cloudy amber color capped by a meringue of a head that leaves plenty of splashy lacing

Smell: Floral and fruity, with sugary citrus and tropical fruit aromatics

Taste: A hint of sugary malt and then the hops dominate, bringing pineapple and ruby red grapefruit tones; there is a hint of melon but this is all about the lively hop flavors

Mouthfeel: Medium body with moderate carbonation

Overall: A great West Coast style IPA; this brewery knows their way around the hop farm

Southern Tier Pumking

"....Big pumpkin, nutmeg, maybe cinnamon. Unbelievable. ABV is non existant. Mouthfeel is thick, but delicious....highly recommended...."

Reviewed by: Beeradvocate.com

 

Left Hand

Milk Stout

Milk sugar in your stout is like cream in your coffee. Dark and delicious, America's great milk stout will change your perception about what a stout can be. “Preconceived notions are the blinders on the road to enlightenment.” Udderly delightful.

 

Angry Orchard Crisp Apple Cider

This crisp and refreshing cider mixes the sweetness of the apples with a subtle dryness for a balanced cider taste. The fresh apple aroma and slightly sweet, ripe apple flavor make this cider hard to resist.

 

Brooklyn Pumpkin Ale

Appearance: Pours a deep copper amber orange with a moderate amount of rising bubbles. About two fingers of off white head that slowly fade into a thin creamy layer. Leaves a decent amount of lacing.
Smell: A sweet and toasty aroma of caramel malt, pumpkins, and fall spices. Big hints of pumpkins upfront. Bready toasted malts with hints of sweet caramel, toffee, biscuit, grains, yeast, nuts, and some tea like hints. Mix of fall spices including hints of nutmeg, cinnamon, ginger, clove, and allspice. Slight hint of candied sugar. Background hints of earthy and floral hops. A pretty solid aroma.

Taste: Like it smells, a toasty and nicely sweet pumpkin taste with a big malt presence and spices. Solid upfront vegetal taste of pumpkins. Toasted malts with notes of sweet caramel, toffee, biscuit, tea, grains, nuts, and yeast. Solid mix of fall spices with notes of cinnamon, nutmeg, ginger, allspice, and clove. Light notes of brown and candied sugar. Solid hop backing with some floral and earthy notes. A very solid taste.

Mouthfeel: Medium bodied with a moderate amount of carbonation. Creamy, fairly spicy, and pretty smooth.

Overall: A pretty good pumpkin ale. Good balance of pumpkin, toasty malts, and spices with a decent hop backing

Southern Tier 2x Milk Stout

Pours a completely opaque black with a short beige head that dissipates quickly, leaving fine rings of lace on the glass.

S: Wowee, milk chocolate, toffee, coffee, barley, malts, hickory smoke, has a very rich, roasted, aroma to it

T: Man this is good, I can really tastes those lactate sugars as mentioned on the bottle, makes me crave a herheys bar so bad. Rich, thick, roasted coffee flavor, hints of vanilla, it is quite sweet, has earthy, smoky tones to it, twang of hops at the finish

M: Rich, full body with ample amounts of carbonation and balances well with the flavor. Very rich, robust, complex, hoppy, bitter finish towards the end.

O: Overall this was what I was hoping for, the smell of it was astounding, love that early morning coffee smell. All around this was great and I recommend


Black box Cucumber Belgian White Wheat

One of the most unusual beers produced in Ohio back. Black Box Brewing Co. in Westlake hasl release the first new batch of Cucumber Belgian White Wheat in three

Leinenkugel SUMMER Shandy


I was surprised at how perfect this beer was.

It tasted amazing and had the nicest cloudy unfiltered wheat beer coloring.

Just the perfect consistency all around.

And the sugar content wasn't too heavy either. I know a lot of summer beers like to load up on the sugars and fruit additives, but this one is just perfect from the keg.

Had it from a bottle later on in the night and it just didn't taste the same.

If you can find this on draft, go for it. You won't be disappointed.

It's just a very smooth drinkable beer and it really packs a punch in the flavor department. I tasted cardamom, orange peel and some other unique spices.

Columbus IPA - Columbus Brewing Company


Samuel Adams OctoberFest


A - Amber and copper color with an off white head
S - the smell is malty
T - I get mostly malts. noticing a good amount of sweetness and a a little bit of hops
M - Medium body and a little carbination. goes down smooth
O - The first seasonal Sam Adams in awhile, Its one of the better ones I have had.

 

Irish Setter Red

Thirsty Dog Brewing Company


A: Poured from a bottle to a pint glass. Had an amber color and a hazy consistency. There was a huge, creamy, long-lasting head. Not much lacing.

S: A typically malty aroma with some traces of caramel.

T: Tasted of malt, caramel, and some hops in the finish. Not exactly what I'd call a groundbreaking flavor, but very enjoyable nonetheless.

M: A nice amount of carbonation with a somewhat slick finish. Medium-bodied.

O: Overall, this is a solid, well made, drinkable beer.

Dales Pale Ale

One of the quintessential American hoppy Pale Ale of our time! beeradvocate.com

Top U.S. Pale Ale
New York Times

Gold Medal – 2010
World Beer Championships

World's Best Canned Beer
Details Magazine

Top Five American Pale Ales
Ratebeer.com, 2005-2009

Gold Medal
Stockholm Beer & Whiskey Festival

 

Victory Summer Of Love

Appearance: Pours a clear golden with a modest head that leaves just a few dots behind
Smell: Slightly grainy with a hint of citrusy hops
Taste: A hint of bread up front with a developing grainy aspect; in the middle, a hint of citrus balances the malt flavors; surprisingly peppery on the finish
Mouthfeel: Light to medium body with crisp carbonation
Overall: For a Blonde, this is a tasty beer and would be a treat on a hot Summer day

 

Young's Double Chocolate Stout

The taste is a mix of Hershey/milk

chocolate, roasted

grain, light bitter coffee roast, and vanilla

 

Guinness

A classic. Mainly

roasted malt, with a

touch of cream and

milk to it

 

Labatt Blue


Light golden color. Head fizzes quickly, then dissipates with good lacing.

Not much of a smell going on here. Really can't pick up anything.

Taste is refreshingly mild. Not overly sweet, not bitter. And surprisingly not extra corn-filled. It is pleasant.

Mouthfeel is thin, with the proper amount of carbonation. Not overly bubbly, which is a good thing.

Overall, this is a quality Canadian Lager. Anyone who appreciates a simple, yet refreshing brew can appreciate this. No need at all to bash it, as it does indeed have its place in the beer world.

**********************

The paradox of our

time in history is that

we have taller

buildings but shorter tempers, wider freeways,but narrower viewpoints. We spend more, but have less.

We buy more, but

enjoy less.

We have bigger

houses and smaller families, more conveniences, but less time. We have more degrees but less

sense, more

knowledge, but

less judgment, more experts, yet more problems, more

medicine, but less wellness.

We drink too much, smoke too much,

spend too recklessly, laugh too little,drive

too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much,

and pray too seldom.

We

have multiplied our possessions, but

reduced our values.

We talk too much, love too seldom, and hate

too often. We've

learned how to make a living, but not a life.

We've added years

to life not life to years.

We've been all the

way to the moon and back, but have trouble crossing the street to meet a new neighbor.

We conquered outer space but not inner space.

We've done larger

things, but not better things. We've cleaned

up the air, but polluted

the soul. We've conquered the atom,

but not our prejudice.

We write more, but

learn less. We plan

more, but accomplish less. We've learned to rush, but not to wait.

We build more

computers to hold

more information, to produce more copies

than ever, but we communicate less and less.

These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These

are the days of two incomes but more

divorce, fancier

houses, but broken homes.

These are days of

quick trips, disposable diapers, throwaway orality, one night

stands, overweight bodies, and pills that

do everything from

cheer, to quiet, to kill.

It is a time when there

is much in the

showroom window and nothing in the

stockroom. A time

when technology can bring this letter to you, and a time when you

can choose either to share this insight, or to just hit 'delete'.

Remember, spend

some time with your

loved ones, because

they are not going to

be around forever.

Remember, say a kind word to someone, who looks up to you in awe, because that little

person soon will grow

up and leave your side. Remember, to give a warm hug to the one

next to you, because

that is the only

treasure you can give

with your heart and it doesn't cost a cent.

Remember, to say, "I

love you" to your

partner and your loved ones, but most of all

mean it. A kiss and an embrace will mend hurt when it comes from

deep inside of you.Remember to hold hands and cherish the moment for someday

that person will not be there again.

Give time to love, give time to speak and give time to share the

precious thoughts in

your mind.

A Message by

George Carlin

Reminder

We're always  open

before all Indians/Cav's home  Games with $2-Domestics-Labatt blue,Budweise, .Bud

Light, Bud Select, Coors light MGD, Miller Lite,

Miller high life,Rolling

Rock, PBR

$3- Microbrews-Killian's Red, Michelob Ultra,

Bud Lime, Landshark, Great Lakes

Dortmunder,

Sierra Nevada Pale Ale, Blue Moon,

Samuel Adams

Cherry, Grape, Jagger, Orange Bombs $3

$4 Irish

Car

Bombs!

Right On!

-Tell your Friends!

 

Get It ToGo!!!

 

Thursday September 18

an Awesome night of original acoustic music

WITH

Nick Young / Ariel Strasser / Jim Lasby

Rock / Americana / Power Pop from NY

Nick Young

Hailing from Rochester, N.Y., singer-songwriter Nick Young's songs combine power pop hooks with country-tinged roots rock to form an energetic sound that's familiar, yet all its own. After several years as the frontman and principal songwriter of the band Burning Daylight, Young has spent much of the last year recording his solo debut record both locally and in Nashville, Tennessee with producer Jim Reilley (of The New Dylans). With the help of Reilley and with legendary pedal steel player Al Perkins (Gram Parsons) and drummer Ken Coomer (Wilco) augmenting Young's Americana/Power Pop sound, the album “Truth Is” was released on November 30, 2010.

PLUS

Singer Songwriter / Pop / Jazz

from Boston, MA

Ariel Strasser

www.arielstrasser.com

Ariel Strasser is a singer/songwriter from Minneapolis, Minnesota currently based in Boston, Massachusetts. Growing up in a house surrounded by her family's music, it wasn't a surprise when she was accepted to the prestigious Boston Conservatory musical theater program. With a Bachelor of Fine Arts and an emphasis in songwriting, Ariel has had the privilege of collaborating with artists such as singer/songwriter Samuel Crown, drummer Scotty Horey, percussionist Fernando Meza, and guitarist James Berget. She is currently promoting her recently released album, "Crooked Line" recorded at The Vault recording studio in Hoboken, NJ with producer Dan McLoughlin of The Push Stars. "Crooked Line" features Nate Tucker on drums and percussion, Max Judelson on upright bass, Adrianne Pope on violin and Chris Trapper, also of The Push Stars, on vocals.

AND

Jim Lasby

From Cleveland Ohio

 

FRIDAY SEPTEMBER 19

Best New Country Music Artist

GARY RAY

Gary Ray is an American Singer/Songwriter who started his career in Atlanta, GA and now calls Nashville, TN home. Although, Gary Ray (Pfaff) is most known in the Country Music format, his music transcends genres.

He has toured with a vast group of successful artists and to show you the diversity - in the same year he shared the stage with Brantley Gilbert, Lifehouse, The Counting Crows, Corey Smith, Lady Antebellum, and Miranda Lambert.

His latest single, One More Trip Around the Sun, has drawn comparisons to newer pop artists like The Lumineers, Mumford & Sons, and Avicci. Gary Ray's unmistakable, Country grit voice takes this feel good song to a new dimension. One source quoted the song as the Country Music equivalent to Pharrell's "Happy".

PLUS

Country Mile

acoustic music ..country...rock...pop...little everything.. acoustics...from Cleveland

AND

Wild Fire

Sounds Like: Jason Aldean, Eric Church, Blake Shelton, Luke Bryan, Brantley Gilbert

Ever since he was a young boy, Joe Bova has been performing in front of audiences of all size. Surprisingly, Joe has never taken a voice or guitar lesson, he is completely self taught. Joe's family was never musically inclined and it was not until the 6th grade that Joe Bova's vocal talents were discovered. Joe's father asked him to sing the Star Spangled Banner at a major basketball tournament th ... at he was managing; from then on the rest is as they say “history”. Since that time, Joe has performed the National Anthem at Progressive Field for the Cleveland Indians, while also performing for various events and genres.

After high school Joe attended Notre Dame College, where he not only sang in the choir, but played baseball for the Falcons as well. Though the baseball experience was short lived, he did not come out empty handed. Through baseball Joe met and became good friends with Morgan Woods. Often times Joe and Morgan would find themselves singing and sometimes arguing about country music.

Joe Bova Music was created on February 1, 2012 when Joe and Morgan began to collaborate on a song that Morgan had been working on for some time. After 6 hours and a 12 pack of Yuengling, "Carryin' Me Away" had been born and released to the public on YouTube, at 4:00 in the morning. Little did they know, that not only had they written their first song "Carryin' Me Away", but Joe Bova Music had been launched into overdrive. Since that time Joe & Morgan have written multiple other songs including "We Got History" and "Bleeding Red, White, & Blue". After making it through the first of tryouts for The Voice and later being sent home, Joe Bova has made it his primary focus to prove them wrong.

In February of 2013, Joe Bova Music expanded the already blossoming project to accompany Adam and Aaron Boey into the group as lead and rhythm guitarists. Both Adam and Aaron are proud veterans of The United States Army, with Aaron having served in Afghanistan and Adam in Iraq.

After having become fast friends with the Boey brothers, the decision was made to change the name of the band to as it stands now, Wild Fire. Rightfully suiting the determined and aggressive personality of all the members.

Since that time, Wild Fire has played at Put-In-Bay, OH, Kent 'Round Town Music Festival as well as Bar 145 in Kent. The Public House and Lake City Tavern, where they opened up for Nashville's own Gary Ray, are among their favorite and most frequent places to light up stage.

Though Wild Fire's future is unwritten, their loyal fans can be the ones responsible for their success. Fuel the fire and support them, follow them, listen to Wild Fire and watch this talented group live their dreams.

Saturday September 20

We'll Be At

Whiskey Island Brew B-Q

with our

10AM-11PM

 

Then at 6pm

At WILBERTS

AFTON SHOWCASE

 

Sunday September 21

Opening at 9:30AM

Browns Party

With The Best Specials in The Neighborhood

Starting with

$3 Mimosa's

$4 Award Winning Bloody's

PLUS The Best Specials in The Neighborhood

$2 DOMESTICS ~ $3 BOMBS

$4 FireBalls & shots of LeBronJameson

1/2 Slab of Ribs & Fries + Salad = $9.99

Sweet-Smokey-Spicy!

 

Monday September 22

Tribe's Back

K. C. vs. Indians (x2)

At 8pm on our stage

Psychedelic Groove Soul band out of Boulder Co.

Cold River City

Sounds Like: The Jimi Hendrix Experience Official Page, Portishead, Janis Joplin, Passafire, G. Love

Born to groove, Cold River City is the love child of funky soul and dirty blues. Fronted by Emma Fields and Brian Hubbert, the six piece live band features seductive vocal harmonies, screaming slide guitar, and a tight rhythm section guaranteed to make you get down with your bad self. The band draws their sound from a variety of genres, creating an intellectual and danceable style they call Psychedelic Groove Soul.

Cold River City has built a strong following both at home around Boulder, Colorado as well as on the road. In the last year they have played venues ranging from Cervantes Masterpiece Ballroom to The Fox Theatre and performed at festivals like Snowball Music Festival and Yonder Mountain Harvest Festival.

Since their formation in 2011, Cold River City has come out with three releases and is proud to present their first full length, Let Me Shine in February 2014. The album is the product of many hours of hard work and fun at Scanhope Sound with Joel Scanlon. While staying true to the band's live performance, each song takes you on a journey through the band's heart and soul.

plus

Rock / Funk from CLE

ROOT BOTTLE

Sounds Like: Stevie Wonder day drinking with the Black Crowes!
This is the world famous Root Bottle, in the spirit of the soothing drink created by the Liberian ancestors of vocalist Rodney Diggs. They found that their gin was much better when steeped in the traditional roots and kola nuts of their land. In that the same spirit, the soul and lyrical based vocals of Mr Diggs have been macerated in the funk based rock of veteran musicians Andy English, Jon Richey, and Mark Cochrane.

 

Tuesday September 23

K. C. vs. Indians

Live on our stage ~ Sydney based Alt rock

Sunpilots

Hailing from Sydney, Australia, The Sunpilots have quickly earned a reputation as a both a killer live act and one of the hardest working independent bands in the world. They begin their ‘Gypsy Tour' in 2010 and have been couch surfing their way around globe ever since. Crazy? Quite possibly. So far The Sunpilots have toured the UK, Germany, France, Netherlands, Sweden, Belgium, Austria, Switzerland, Italy, Poland, Slovenia, Latvia and Lithuania. North America is next on the cards, followed by a 5th Australian tour. “When we're on the road, we do an average of 4 to 5 shows and 2000 to 3000 kms of driving a week... and we've spent most of the last 3 years on the road,” says Raj Siva-Rajah, who is both frontman and manager of the band. "We did our first European tour in a 20 year old van with no airconditioning. Yeah, that was fun in summer!” he laughs. “We run our own record label too. It's been intense.” Formed by Raj and guitarist Bob Spencer in 2008, The Sunpilots have always been fiercely independent. The band released their debut album ‘Living Receiver' in 2009 to rave reviews, a MusicOz Award, an ‘Indie Album of the Year' and two ‘Indie Album of the Week' awards from Australian street press. The single ‘Spotlight in the Sun' became the #1 most added song on Australian radio and Apple featured two tracks as iTunes Singles of the Week. The band also became a North American college radio favourite and won ‘Best International Artist' at the Toronto Independent Music Awards and ‘Single of the Year' at the LA Independent Music Awards. But it wasn't long before The Sunpilots began feeling the limitations of touring a huge but sparsely populated country like Australia. And so came their decision to expand their tour circuit to the rest of the world. While the plan might seem slightly insane, it fits with the band's do-or-die ethos. “If you're not on a mission, you might as well be dead,” says Spencer with a grin. “We'll keep doing this till we make it or kill each other, what ever comes first.” The Sunpilots' latest album ‘King of the Sugarcoated Tongues' is an epic 8-chapter story about the human need for security and the freedoms we trade for it. The record sees the band's sound evolve into a kind of Zeppelin-meets-Radiohead progressive rock that has been critically acclaimed by reviewers. Raj's unique singing style comes from being raised in two musical worlds: from the age of 8 his mother (a classical Sri Lankan singer) instructed him in the Carnatic music of the east while he simultaneously fell in love with all things rock. When the passionate vocals and storytelling lyrics collide with with Spencer's ripping guitar solos the result is explosive. Especially on stage, where the band shines brightest. The Sunpilots made the decision to let fans download ‘King of the Sugarcoated Tongues' for free. “We just want people to hear our music, so we let them download it,” says Raj. “All we ask in return is that they share it.” It seems to be working since the album is downloaded several hundred times a week and that number is growing daily. So what's next for The Sunpilots? Currently the boys are taking some time out to work on a new record. “It's great to be in one place long enough to write again!” Raj says. “We've started demoing ideas and we're pretty excited about where it's going.” With a new album around the corner and more touring to follow, The Sunpilots are set to achieve big things this coming year.

Long live independent rock.

plus

Justin Ackerman

And

Alternative / Acoustic / ROCK from Canton, OH

Eureka Verve

Eureka Verve reaches out to listeners with honest and compelling music and lyrics, and hopes to bring inspiration to all.

 

Wednesday September 24

K.C. vs. Indians

Live on our stage

Brilliant and unmistakable brand of brass-fueled rock from BKLYN

Great Caesar

"Chamber rock"

Great Caesar aims for the heart with a vulnerable blend of brass, voice, and indie-rock, drawing from acts like Arcade Fire and Beirut to create music that confronts the things that really matter: love, legacy, and the complexity of human relationships.

The NYC band's 2014 debut phenomenon, Don't Ask Me Why, combines art and activism in a video that juxtaposes the civil rights movement of the 196 ... 0s with today's fight for sexual equality. Supported by figures as varied as Russell Simmons, Deepak Chopra, Arsenio Hall, and Superbowl champion and LGBT advocate Brendon Ayanbadejo, the video has already challenged hundreds of thousands to take a stand for love and equality.

Don't Ask Me Why is available now via all major digital outlets, and will appear on CD as part of a forthcoming EP produced by Griffin Rodriguez (Beirut, Modest Mouse, A Hawk and a Hacksaw).

Great Caesar is comprised of John-Michael Parker (vocals, guitar), Adam Glaser (bass), Tom Sikes (trumpet), Mike Farrell (guitar) and Stephen Chen (saxophone, also of San Fermin).

PLUS

eclectic assortment of indie, rock, and soul from Boston

Night Lights

With members from Mexico, Texas, Japan, California, and Norway, Night Lights brings together an eclectic assortment of indie, rock, and soul influenced sounds in an effort to make people dance and feel feelings

The Boston-based band met in 2012, and has since discovered a balance between profound lyrics, hooky melodies, danceable music, and intriguing harmonic progressions. Their songs touch on the subject of existentialism and the confrontation of the self, hoping to discover a truth grounded in music, community, and conversation. Drew's warped soundscapes, Yusuke's intricate riffs, Jeff's melodic bass lines, Dag's colorful rhythmic creations, and Mau's captivating melodies & other-worldly voice effects all come together to take you on an unparalleled audio adventure.

 

Thursday September 25

CHRIS TRAPPER 

(of the PushStars!)


began his career as the front man for late-90's alternative rock band THE PUSH STARS (Capitol Records).  With four CD releases and several high profile national tours -- including a run with Matchbox Twenty -- The Push Stars served to establish Chris as an authentic talent.  

As a modern day singer /songwriter, Chris is most known for his song This Time , the #1 selling song on the Grammy nominated soundtrack for AUGUST RUSH (Robin Williams, Jonathan Rhys Meyers /Warner Bros Pictures).  

The new CD (released October 18, 2013), Technicolor , is a collection of 17 songs written and performed by Chris Trapper.   This new work was  Produced, Recorded, Mixed and Mastered by Brad Young at BKY Music, Boston, USA.   Focus tracks include the title track 'Technicolor' and 'Northwest Sun' and 'The Accident'.

Chris Trapper's music can best be described as lyrically driven roots-pop with a knack for telling everyday stories filled with extra-ordinary characters.  

" Every record tells a story. For me, much more than gimmicks, my albums are like diary entries, or truthful accounts of where I'm at in life. I suppose that might be the same for most songwriters, but in the spectrum of the music business, it's still an animal that's nearly extinct ."   Chris Trapper  
In the Spring of 2013 Chris performed a duet with his songwriting idol  JOHN PRINE at the Portsmouth Songwriter Festival.

In 2012 and 2013 Chris toured North America and the UK with multi platinum songwriter COLIN HAY. 
Chris' previous CD, The Few & The Far Between, is a collection of 14 songs written and performed by Chris Trapper. Focus tracks include the CD opener,  Here All Along,  featuring guest vocals by Rob Thomas of Matchbox Twenty, and  The More I Think  featuring vocals and slide guitar by Colin Hay of Men at Work.

"His humble sense of humility is what makes Trapper's songs so strong... He makes you feel like you are the person he's singing about.   The Few & the Far Between  is another strong addition to the Chris Trapper/Push Stars catalog." Popdose

The New York Times  calls his work  “classic pop perfection .”

A prolific songwriter, Chris can boast high profile film placements including  There's Something About Mary  (Ben Stiller, Cameron Diaz),  The Devil Wears Prada  (Meryl Streep),  Say It Isn't So  (Heather Graham) and  Gun Shy  (Sandra Bullock, Liam Neeson) as well as significant television placements including  All My Children, Women's Murder Club, Malcolm In The Middle , a coveted placement in George Clooney's final episode of  ER , the theme song for WB Networks dramedy  Pepper Dennis  and a cameo on-screen appearance with the show's star, Rebecca Romjin.

A respected songwriter of the highest caliber, Chris has written 7 songs with/for Canadian band GREAT BIG SEA, including their #1 single "Sea Of No Cares" from the certified-platinum  Sea Of No Cares  CD.  Great Big Sea covered Trapper's song "Everything Shines” and their version served as the debut single off their certified-gold  Road Rage  CD album. Chris' songwriting collaborations with Great Big Sea earned him two prestigious SOCAN awards. Rob Thomas of Matchbox Twenty and Antigone Rising have performed other notable versions of Trapper's songs.

Trapper's live show is a favorite among fans of alt–acoustic music. His on–stage persona is warm and inclusive, his organic understanding of classic pop melody, infectious. Audience members seem to particularly appreciate the lighthearted moments with the ukulele.

It's an incredibly rare musician, particularly in the world of popular music, who is able to forge a career based on quiet dignity and steadfast integrity ."  

The Buffalo News

Opening

Jessy Tomsko

Singer Songwriter / Folk/Pop / Acoustic from NYC

Sounds Like: Joni Joan Mitchell, Ingrid Michaelson, Joan Baez, Rosi Golan

Hailing from New York City, Jessy Tomsko has a love for music that transcends the simple pop tunes that plague much of today's music scene. With her heartfelt lyrics and self-penned melodies, Jessy celebrates life and love in her acoustic renditions brought to life on the many stages of New York City.

Jessy's love for music stretches back to early childhood where she became enamoured with writing short poems and stories, and shortly began to add music to the equation by composing little piano pieces. These early ventures into music cumulated in picking up the guitar in her late teens, and deciding then and there that she wanted to focus on music and pursue a career of her own. After some time spent earning a degree in classical singing, Jessy returned to writing music, reigning in her creative capabilities and challenging herself as a singer-song writer.

In 2010, Jessy worked closely with Greg Fisher of Evolving Sound Studios on her debut, full-length album, “The Light You Make”. The album invites the listener to take part in Jessy's honest and unguarded musical interpretation of life's virtues and melancholies. The soft, lilting melodies featured on the record showcases her vocal skills, finessed with years of classical training.

Jessy's work is infused with a lightness and warmth that is equally embodied in her live performances. Maintaining a busy performance schedule, Jessy has played at venues such as The Bitter End in New York City and the World Café Live in Philadelphia, and major events as the Wave Gathering Music Festival in Asbury Park, New Jersey and the Launch Music Conference in Lancaster, Pennsylvania. She's also had the honour of sharing the stage with artists such as David Berkeley, James Maddock, John Francis, Amber Rubarth and Ari Hest among many others.

Jessy Tomsko is a Concerthouse Music Artist and is distributed digitally to the world by Blue Pie Records.

“Little Reverie”, a three track EP, was released in January 2011. Jessy continued to evoke emotionally charged responses from her listeners with acoustic tracks delivered with sweet and simple vocals. Her stripped down and honest delivery magnified the intimacy she strives to achieve with her audience.

Known for her well-crafted songs and dynamic stage personality, Jessy's easy-going personality and warm vocals permeate her music and continues to do so with her latest single, “Come Get Me”. As a member of ASCAP, she has teamed up with Concerthouse Music Management and Blue Pie Records in 2011 to further develop her music.

Jessy is currently in the studio working on a new EP, due out in early 2014.

 

Friday September 26

Tampa Bay vs. Tribe

Happy Hour with

Pop Rock Ecclectic Singer/Songwriter from Kitchener, Ontario

Tim Lucas

and

after The fireworks

"Rock royalty." BOSTON HERALD

BARRENCE WHITFIELD AND THE SAVAGES

Barrence Whitfield is a full-throttle soul screamer in the spirit of Little Richard, Don Covay, and Solomon Burke. He has been described as the owner of one incredible pair of lungs, with limitless energy and unmatched enthusiasm for his music and his audience.

Barrence is a rarity in this business--one of a few black, rock n roll singer/entertainers who, Spin Magazine says, maintains a frenzied performance. Whitfield is a performer so consumed with satisfying his audiences that he has been called 'crazed, frenetic and completely unhinged.' Barrence, the singer made up of equal parts Arthur Alexander, Nolan Porter and James Carr this mofo burns.'

BW doesn't want you to come to a show and stand around. He'll do flips if he has to.

"There was one show in England where I opened for The Damned, and I started throwing cans of beer at the audience. The club owners were telling me, 'You can't do that!' I threw them out there for people to drink and have a good time. But I went too far and almost started a riot.'

Barrence Whitfield & the Savages shot out of Boston in the mid-'80s with the force of a cannonball. Through their sweaty dance party shows and love of primal soul, they were to R&B what the Cramps were to rockabilly--a gateway musical drug for nascent underground roots mavens (including a wide-eyed, dewy-eared future Bloodshot co-founder Rob Miller). Along with original Savage Peter Greenberg (The Lyres, DMZ) and Phil Lenker, they released several records on Rounder, became a favorite of BBC DJ Andy Kershaw, toured with the likes of Bo Diddley, Tina Turner, and George Thorogood, and won seven Boston Music Awards. They reunited in 2011 with new Savages Andy Jody on drums, and Tom Quartulli on sax.

Perhaps the world is ready for them this time around.

Recommended if You Like ..The Dirtbombs The Sonics The Cramps Solomon Burke Wilson Pickett The Fleshtones The Black Keys

 

Saturday September 27

Tampa Bay vs. Tribe

With The Best Specials in The Neighborhood

$2 DOMESTICS ~ $3 BOMBS

$4 FireBalls & shots of LeBronJameson

1/2 Slab of Ribs & Fries + Salad = $9.99

Sweet-Smokey-Spicy!

 

 

Sunday September 28

Tampa Bay vs. Tribe

1:05 Day Game

With The Best Specials in The Neighborhood

Starting with

$3 Mimosa's

$4 Award Winning Bloody's

PLUS The Best Specials in The Neighborhood

$2 DOMESTICS ~ $3 BOMBS

$4 FireBalls & shots of LeBronJameson

1/2 Slab of Ribs & Fries + Salad = $9.99

Sweet-Smokey-Spicy!

At 3pm on our stage

Americana / Old Time String Band from Maryville, TN

The Urban Pioneers

With a lifetime of music between them and half a decade of music played together, Liz Sloan and Jared McGovern have been the backbone of some of today's greatest underground roots bands. Currently both members of Jayke Orvis and The Broken Band, the pair have shined light on many other acts such as Bob Wayne & The Outlaw Carnies and Filthy Still.

Most recently, Liz and Jared have been touring the ... United States and a healthy portion of Europe as the old-timey Americana act Urban Pioneers. Liz's awe-inspiring fiddle combined with Jared's claw-hammer banjo and storytelling lyrics recall the pure Appalachian sounds of yesterday, light-heartedly summed up by the band as “hillbilly music”.

Now with Guido Greaserag on upright bass (we believe that to be his Christian name), the three-piece stick to their motto, “on tour now, on tour always”, as they trek their way through the Northeast in support of their new album, Addicted to the Road.

plus

Rodney and The Regulars

one of the finest, most true to roots Hot-Hillbilly & Honkytonk bands!

What you see is what you get. We thrive off traditional sound which is one of authentic roots music. We are passionate about songs of the past and want to share that with others. If you ever have that feeling — you know what I mean — lowdown, heartbroken, tearing-in-your-beer kind of feeling, or if you're into a hot hillbilly, swinging, get-down-and-boogie kind of mood come out and let us entertain you. We promise you will not be disappointed!

 

Friday Rocktober 3rd

BLUES HALL OF FAMER

JOE LOUIS WALKER

BRINGS HORNET'S NEST TO CLEVELAND!

Joe Louis Walker was born in San Francisco on Christmas Day, 1949. He was raised and schooled in the famed and dangerous Fillmore District. His parents were both from the South and they brought their love of blues with them when they headed west. Walker's dad played blues piano, and his mom played B.B. King records. Walker picked up the guitar as a child, and by the time he was 16, was an in-deman ... d musician on the local club scene, regularly backing touring blues artists rolling through town. As a 16-year-old, he was the house guitarist at San Francisco's famed musical playground, The Matrix, where he played with or opened shows for everyone from Lightnin' Hopkins to Jimi Hendrix to Thelonious Monk. In addition to his work at The Matrix, he was a regular at Bill Graham's famed Fillmore West. San Francisco's music scene was quickly becoming a melting pot of blues, jazz and psychedelic rock, and Walker was right in the center of it. These ear-opening surroundings explain the ease with which Walker blends blues, rock, gospel, jazz and country, making it seem as if the walls between the genres never existed in the first place.

The blues legends Walker accompanied shared not only musical knowledge but also their personal wisdom with the teenage up-and-comer. Fred McDowell, Ike Turner, Albert King, Freddie King, Robert Jr. Lockwood, Lightnin' Hopkins and many others taught, fed and chastised the youngster. Blues icon Willie Dixon told him to set his sights high. “What's your style? You need your own sound,” Dixon preached. Walker took the advice to heart and developed his own fiery, melodic and always unpredictable guitar attack.

Walker met legendary guitarist Michael Bloomfield in 1968 and the two became fast friends. Bloomfield introduced Walker to many of the day's top rockers, including Sly Stone, Carlos Santana, Steve Miller, Bob Weir (of the Grateful Dead), Jorma Kaukonen (of Jefferson Airplane) and even jazz legend Wayne Shorter. Bloomfield helped push Walker's blues in a more rock-fueled direction, and he became the single biggest influence on the young Walker's sound. The two shared an apartment for years and remained close friends until Bloomfield's death in 1981. Walker is quick to acknowledge Bloomfield's impact, saying, “I can sometimes feel him in my playing.”

From 1975 to 1985 Walker performed nothing but gospel music, playing and singing as a member of The Spiritual Corinthians. During this period he attended San Francisco State University and earned two degrees, one in English and one in Music. While performing with The Spiritual Corinthians at the New Orleans Jazz & Heritage Festival in 1985, Walker was inspired by the R&B, blues and rock music swirling around him. He decided he could no longer limit himself to gospel music and returned to playing the blues. On the strength of a demo tape sent to Hightone Records, Walker was signed to his first recording contract. In 1986, the label released Walker's debut CD, Cold Is The Night. Firmly rooted in blues, gospel, R&B and rock, the album caught the attention of music fans around the country. The San Francisco Chronicle said, “He expertly updates the timeless urban blues sound.”

Prior to joining Alligator Records in 2012, Walker had released 23 albums and toured the world virtually non-stop. He has garnered four Blues Music Awards (and has been nominated a whopping 52 times) and holds an international reputation as one of the blues' most prolific and talented stars. He's also recorded as a guest with some of the blues world's best-known artists, including appearances on Grammy-winning records by B.B. King and James Cotton. His Alligator debut, HELLFIRE, took the blues world by storm in 2012, receiving the Living Blues Critics' Award for Blues Album Of The Year. The Chicago Tribune said, “His playing is ferocious. His solos spin wilder and wilder with the kind of fierce embellishments that Jimi Hendrix might've conjured.” The success of the album helped land Walker and his band on TBS's CONAN to perform the song "Ride All Night."

With each subsequent release, Walker's audience continues to grow, as his touring schedule continues to expand. He's played all over the U.S. and Canada, major European festivals including The North Sea Jazz Festival, Glastonbury, Notodden and Montreux, as well as festivals in Japan, Australia, Taiwan, Ireland, Turkey and Brazil. Now, with HORNET'S NEST, Walker is excited about bringing even more people to his music. “Blues is a big tent,” he says, “morphing into a bigger tent. Young folks like good blues when they hear it, and I'm here to make sure they want to listen.”

 

 

Thursday December 11

The Eric Gales Trio

Rock Blues Soul Funk guitarist from Memphis

•Throughout the show, Gales played more to the spirit of Hendrix rather than a tribute to the radio music that has cemented his legend all these years. Every song was a jam, and with Gales singing in a much calmer, lower key than Jimi’s vocal roars, the frontman essentially reinterpreted each track as he saw fit. Backed by bassist David Pastorius and guest guitarist Tomo Fujita, the band took their sweet time playing their hearts out on each and every tune, with Fujita’s soft, jazzy leads contrasting with Gales’s thick, frenetic chickin' pickin'. Gales was virtually exuberant the entire show, the delight obvious on his face as he played, and he frequently expressed his joy at playing in the heart of New York City. His face would contort with intensity as he frantically ripped through his fretbroad during solos, at one point even pouring beer over his guitar and then continuing to play through a towel to clean it off- - Elliot Levin, New York Examiner (Feb 23, 2011)

•Gales has always preferred his blues on the rocks, but he’s never sounded heavier than with his new supergroup, Pinnick Gales Pridgen, featuring King’s X bassist and vocalist dUg Pinnick and former Mars Volta member Thomas Pridgen on drums. If you imagine that would sound like a classic blues-rock power trio pumped up on progressive metal—you’re right. - Guitar Player Magazine (Jun 4, 2013)

One of the best if not the best guitarist in the world today.-Joe Bonamassa (@JBONAMASSA) Oct 28, 2013

Eric Gales grew up in a musical family with four brothers, two of them who learned to play the guitar upside down and left handed in the same fashion that Eric does. Eric’s brother Eugene Gales who played bass in the Eric Gales Band and his brother Little Jimmy King who had a thriving career as a blues artist before his untimely death. Eric released his first record at Age 16 for Elektra records to an amazing response from the media and music fans around the globe. Guitar World Magazine’s Reader’s Poll named Eric as Best New Talent, in 1991. After recording a second record for Elektra, all three brothers teamed up for The Gales Bros. Left Hand Brand which was recorded for the House of Blues label in 1996.

Through the years, it would not be unusual to look out in the audience and see artists like Carlos Santana, Eric Johnson, Keith Richards, B. B. King, and Eric Clapton, looking on with interest as Eric took his God-given talent and worked crowd after crowd into a frenzy. The new Millennium presented new opportunities for Eric and he was signed to a deal with Nightbird Records which was affiliated with the Hendrix family and distributed through MCA/Universal. Under this deal, Eric recorded the critically acclaimed record "That’s What I Am" in 2001 and hit the road, mesmerizing fans around the world with his uncanny connection to his guitar. In 2006 Eric recorded the critically acclaimed CD Crystal Vision for Shrapnel Records and set the stage for his incredible Blues Bureau Division follow-up, “The Psychedelic Underground.” in 2007. In 2010 Eric hit a new stride altogether with the incredibly successful album "Relentless". In 2013 Eric, dUg Pinnick (King’s X) and Thomas Pridgen (formerly of the Mars Volta) released the first critically acclaimed record PGP on Magna Carta Records. The same year Eric released his first instrumental album “Ghost Notes” under the new banner The Eric Gales Trio.
As both an African-American left-handed guitarist of extraordinary ability and an expressive vocalist, it is natural for people to compare Eric to Hendrix but Eric has developed a unique hybrid blues/rock sound that also draws upon influences as diverse as Albert King and Eric Johnson. A unique amalgam of styles, Eric Gales stands head and shoulders among other guitarists in his genre.

 

Wednesday December 17

Members of legendary drummer Carl Palmer's touring band

PAUL BIELATOWICZ & SIMON FITZPATRICK

A roller coaster evening of classical showpieces and more!

Guitarist Paul Bielatowicz and bassist Simon Fitzpatrick are two of the UK's finest virtuosos. Aside from their own solo work, they have been members of legendary drummer Carl Palmer's touring band for several years and have performed over 500 gigs in 30-plus countries around the world. Individually, they have also performed and toured with such musicians as Dream Theater, Neal Morse (of Spock's Beard), Joe Lynn Turner (Rainbow, Deep Purple), Kee Marcello (of Europe) and Les Paul. For this special show, Bielatowicz and Fitzpatrick will take you on a roller coaster ride of the most challenging classical virtuoso showpieces – all played as you've never heard them before!

ABOUT PAUL BIELATOWICZ
UK guitarist Paul Bielatowicz is best known for his virtuoso work with some of the biggest names in progressive rock. He's played, recorded and toured the world with the likes of Carl Palmer (Emerson, Lake & Palmer, Asia), Neal Morse (Spock's Beard, Transatlantic), Mike Portnoy (Dream Theater), Paul Gilbert (Mr. Big) and Les Paul…to name just a few. His 2014 debut solo album, Preludes & Etudes, saw him stripping the electric guitar back to basics, presenting it as a classical instrument – no overdubs, effects or studio tricks: just a guitar, an old amp and raw virtuosity.

“One of our greatest rock guitarists.” - Guitar Techniques Magazine
“One of the most amazing players around.” - Neal Morse (Spock's Beard, Transatlantic)
“Totally mind blowing!” - Pat Badger (Extreme)

ABOUT SIMON FITZPATRICK

UK bassist Simon Fitzpatrick has toured and recorded with Jennifer Batten (Michael Jackson, Jeff Beck), Carl Palmer (Emerson, Lake & Palmer, Asia), Joe Lynn-Turner (Rainbow, Deep Purple, Yngwie Malmsteen), Kee Marcello (Europe) and Michael Hill (B.B. King) among others. Not content with simply being in the background, Fitzpatrick has always tried to take bass guitar playing as far as possible. Using all six strings of his extended range instrument, he performs as a lead player, a soloist or polyphonic accompanist. He has recently released his debut solo bass guitar album, Reflections, in which he uses his virtuoso technique to recreate a wide variety of pieces and styles, ranging from classical to classic rock, on one single instrument. You've never seen a bass guitar played like this before.

“Simon Fitzpatrick is a guy who constantly pushes himself to see what can be done on bass.” - Kevin Johnson (No Treble)
“I had a blast playing with my ridiculously talented band featuring Simon Fitzpatrick.” - Jennifer
Batten (Michael Jackson, Jeff Beck)

Paul Bielatowicz
http://paulbielatowicz.com
https://www.facebook.com/pages/Paul-Bielatowicz/68797071299

Simon Fitzpatrick
http://www.simon-fitzpatrick.com
https://www.facebook.com/simonfitzpatrickmusic

 

FYI-All shows are all ages and the kitchen is open until I go home!

→and remember To be nice & Have A Nice Time!

WILBERT'S is Great Music + Delicious food In An Intimate Setting = What a Concept!

over